In my sock design tutorials (Part 1, Part 2, Part 3), I showed you the swatch that starts all my sock designs. Here are two more swatches. As always, click on any image to see it larger.
The yarn is my handspun fingering weight yarn made with painted roving from Spunky Eclectic in her Chocolate Covered Cherries colorway.
From the bottom up:
I always start with stockinette to find my needles size and get gauge.
3 row slipped stitch - just a slipped stitch (with a yarnover so it won't pucker the fabric) every 6th stitch, shifted on the row it is knit in. Too simple for my tastes.
Tiny Bowknot - lost in the stripes.
Little Tuft stitch - my own creation, again using slipped stitches. I may use this but space out the tufts more. As you can see the fabric pulls in changing the gauge significantly. It also seems a little too busy with them spaced so closely.
This is a sock that wants to be knit plain. It is a hard decision for me, but if I am honest and listen to the yarn, that is what I hear. I may sneak in a few tufts here and there or use a pretty ribbing.
The yarn is hand-painted superwash merino sock yarn from Pippi Knee Socks in her Strange Days colorway.
From the bottom up:
stockinette
Serpentine Rib, Shell Lace, Flying Chevron, & Wings of the Swan - all lovely pattern stitches but completely lost in the rich dark colors of the yarn. I determined that I would need to use a simple pattern stitch.
Little Knot Stitch - also completely lost
Raindrop Stitch - so subtle it almost looks like stockinette but it has a rougher texture.
This sock also wants to be plain. Sometimes the yarn steals the show and this beautiful yarn certainly has a lot to say. The color repeats are not predictable so it has a lot of visual texture all by itself. As you can see I tried many pattern stitches before relenting on this one.
Laurie in Maine asked about translating stitch patterns for knitting in the round. If your stitch pattern is charted, it is easy. Every row will be read from right to left. Any pattern that calls for purling the wrong side row will now be knit (yay!) since you are always working on the right side.
If your stitch pattern is not charted you may want to chart it out before you start knitting. This is important if you are using a pattern stitch that requires you to do some stitch manipulation on each row. Remember the directions are written as if you are working wrong side rows left to right (as viewed from the right side) but you are working them from the right to the left. If you follow the directions you will not end up with the desired result (well maybe, but only if the pattern stitch is completely symmetrical). Here are a few charting references: Charts are your friends from Knitty and Beginner's Guide to Charted Lace Knitting from Heirloom Knitting. I learned a lot from reading the symbol reference section in A Fourth Treasury of Knitting Patterns by Barbara Walker. I imagine that Charted Knitting Designs: A Third Treasury of Knitting Patterns will have good charting information too, but I don't own that book.
The other thing to keep in mind is that many pattern stitches have extra stitches that help the pattern at the edges. You will see something like multiple of 6 plus 2, meaning four repeats will be 4x6 + 2 = 26 stitches. If you are working the pattern stitch on the top of the foot then that is what you will need, 26 stitches. I like to have at least one knit stitch on either side of the panel on the foot. If it is an all-over type of pattern stitch, I like the number of knit stitches at the edges to be minimal. For a lace panel or cables, I like to have a few more, say 3 - 6 stitches. Of course, it depends on how it looks and how many stitches you need to make the sock fit. A fingering gauge will support more stitches at the edge than a sport weight gauge.
If you are working the pattern stitch around the leg without interruption, you will not need the extra stitches. For this example, you will need a multiple of 6 stitches that works with your gauge. Keep in mind that the pattern stitch may have a different gauge and you may need to increase or decrease to get the fit right.
Thank you for a great question Laurie.
There is something to be said for a good plain-knit sock. Aside for really showing the dyer's or spinner's efforts to the best advantage, it's the best kind of travel knitting in my opinion.
Posted by: LaurieM | November 02, 2006 at 07:22 PM
I love your color-coded pins!
I'm curious - after you knit a swatch do you then frog it all and use the yarn?
The "little tuft" stitch is intriguing! I love the way it draws in toward the tufts - almost like smocking.
Posted by: Janet | November 03, 2006 at 03:49 AM
Thank you very much for your tutorials. I am an aspiring sock knitter. Haven't done one yet, but I sure study a lot about doing it!
Posted by: Micaela Rauch | November 03, 2006 at 02:02 PM
You are such the wealth of information! Alot of handpaints like to be plain and I agree on that one, although I think it would show off well in simple lace as well - like scarf lace, not sock lace.
Posted by: DeeAnn | November 07, 2006 at 06:46 PM
Honored you blogged my question! Wish I could say I understand how to make a chart out of even the simplest written pattern, though! Is it in reverse (every other row)?
I started out with a plan to chart a (simple) pattern that had more going on with former WS rows for a stitch pattern up either side of a sock. In the end I chickened out and stuck with a simple knit all former WS rows - purling to keep rib on either side of the pattern is easy enough to catch onto.
Maybe you could demo just a couple of rows of what charting out a pattern (converting to in the round) would look like sometime?! :) Maybe I just need to practice reading charts more and I'll have an AH HA! moment.
Well, maybe not ;)
Posted by: laurie in maine | November 12, 2006 at 02:29 AM